On his last two albums, Jason Eady earned major acclaim for his ahead-of-thecurve take on classic country, a bold departure from his earlier excursions into blues-infused Americana. Now with his sixth album, the Mississippi-bred singer/guitarist merges his distinct sensibilities into a stripped-down, rootsoriented sound that starkly showcases the gritty elegance of his songwriting. The follow-up to 2014’s critically praised Daylight/Dark—an album that “belongs on a shelf next to Dwight Yoakam’s Buenos Noches from a Lonely Room, Joe Ely’s Letter to Laredo, and yes, even Willie Nelson’s Phases and Stages,” according to AllMusic—Eady’s latest finds the Fort Worth, Texas-based artist again teaming up with producer Kevin Welch. Now longtime collaborators (with their past efforts including 2012’s AM Country Heaven, a top 40 debut on the Billboard Top Country Albums chart), Eady and Welch worked closely in crafting the album’s acoustic-driven yet lushly textured aesthetic. “At the beginning I told everyone I wanted to make a record where, if the power went out, we could still sit down and play all the songs the exact same way,” says Eady, who points out that steel guitar is the only electric instrument featured on the album. Despite its subtle approach, the album radiates a warm vitality that’s got much to do with Eady’s gift for nuanced yet unaffected slice-of-life storytelling. “I’ve always been drawn to writing that’s got a simplicity to it, where you’re digging deep into real day-to-day life,” he notes. Here, that means touching on such matters as turning 40 (on the reflective, soul-stirring “40 Years”), his daughter’s growing up and going off to college (on the sweetly heartbreaking “Not Too Loud”), and the everyday struggle to “embrace the messy parts of life instead of trying to get the point where you’ve somehow fixed all your problems” (on “Rain,” a joyfully determined anthem featuring SteelDrivers fiddler Tammy Rogers). Throughout the album, Eady’s soulfully rugged voice blends in beautiful harmonies with his wife, singer/songwriter Courtney Patton. And on “No Genie in This Bottle,” the legendary Vince Gill lends his singular vocals to what Eady refers to as a “good old country drinking song.” In each track, Eady reveals a sharp sense of songcraft he’s honed since childhood. “Even back in my early days of getting into music, I always cared more about the writers than the singers,” says Eady, who grew up in Jackson.
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